At first glance it seems that Nella Larsen wrote Quicksand just to irritate and lambaste her readers with a wishy-washy cruddy heroine who has no direction in her life, hitherto is invariably unsatisfied with her available roles. I was personally pique when this fictional wo worldly concern, Helga Crane, was given opportunity later on opportunity, first a decent job at a well-respected school, hence an employer who helps her draw off on her feet in new-fashioned York, then money send to her from her uncle, then an open invitation to give out with her aunt in Copenhagen, then a married pair proposal to a wealthy man, yet to have her defy the offer and go where the wind blows her, constantly sad and complaining. I found the ending fitting, that this charwoman who neer lifted a finger to effect any change, who neer showed any estrus or zest for life would convalesce herself married to a decent yet inappropriate man who did not take up what a fragile thing he had m arried. Â Â Â Â Â Â Â Â Then I read the novel again. Upon second glance, I saw Larsen making a social commentary approximately a black womans role during the Harlem Renaissance.
The characters in the novel cook up the disparate ideologies of black philosophers during the Harlem Renaissance, and through this novel, Larsen shows how each falls jejune when confronted with a true, complex black woman. Not only is Helga a tender character, but the very nature of her intelligence and debaucher prevents her from support the life a good black woman should want, namely the teaching position at Naxos, or marria ge to a prosperous man. She realizes on th! at point is something more out there for her, but having been raised as an outcast among her own congregation because of her lack of family, she is given little opportunity to find a suitable... If you want to get a full essay, order it on our website:
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