'“Breathless” by Wilfred Noyce Florence Wong Essay\r'

'â€Å"Breathless”, which was scripted by Wilfred Noyce at 21,200 feet, describes the emotional struggles and physical ch t issue ensemble(prenominal)enges the loudspeaker system unit generated and overcame while acclivitying a mountain. And by it, Wilfred Noyce illustrates the theme of man versus nature as fountainhead as the correct attitude in achieving goals by emphasising the ambivalence of the speaker toward finishing the climb. This is demonstrated with the poetry’s t unitary, var. and social organization and the economic consumption of resourcefulness respectively.\r\nTo begin with, the tone throughout the verse form is discouraged and al close desperate, yet conflicted with design. In downslope 5-6, â€Å"Legs lift-why at all?” suggests that the speaker is feeling coresick at that moment since he is having a laboured time go up up the mountain as described in debate of business 1-2, â€Å"Heart aches, lungs warp”. However, in line 19-20, â€Å"don’t numerate up, till journey’s make” and in line 29-31 â€Å"Go on” and â€Å"don’t ensure up” indicate the strong design in the speaker to finish his journey on the mountain. The speaker is commanding himself to carry on, even though he would love to take flat stairs instead as showed in line 11-12, â€Å"a flat step is holiday”. The determination to â€Å" enamour” nature is expressed here. On top of that, the poet is move to relate this to tribe’s daily lives: but like how the speaker struggled with finishing his climb, wad experience hardships and temptations throughout life, and it is perseverance and self-discipline that lead them to arrive at their goals.\r\nSecondly, the structure and form of the poem portrayed the level of difficulty of the climb to the speaker. The outline of the poem is not regular or smooth, depicting the rugged and winding road the speaker is climbing on, and further more all the different problems people face in their lives. on that point is as well as no stanza, which means the lines are all alined, without any gaps in between, conscionable like the nonstop climb the speaker is doing, and the unceasing challenges in people’s lives.\r\nMoreover, the lines are petty, some chopped run into in the middle (caesura), and the actors line are short with little syllables. This obeys the ragged breath, steady, fast heartbeat and exquisite footsteps of the speaker while climbing up the mountain, and also the intense atmosphere while doing it (since he is confronting with the limit every moment). And more importantly, it is written in such way so when readers read the poem out quickly, they will feel breathless as well, just like the speaker does in the poem. In addition, for most of the lines in the poem, the rhyme scheme of ABCB is adopted, like how line 2, â€Å" gasp” rhymes with line 4, â€Å"scant”, but line 1 and line 2 don’t. This is to imitate the repeating process of the speaker putting his feet forrad one by one, as well as his pounding heart and panting lungs.\r\nBesides, this poem is written in free verse, which means it does not reserve a fixed pattern of meter or rhyme. During the middle of the poem-â€Å"Grind breath/ once more then on; don’t come out up till journey’s through with(p)”, it is where the ABCB rhyme scheme adopted so out-of-the-way(prenominal) breaks down. This indicates that the speaker is really breaking down at that point, losing hope, but also finding the flicker of determination (since he said â€Å"don’t look up till journey’s done”), contrastingly. The idea of free verse is to provide a sense of roughness of the climb and losing breath during the climb in the poem. Finally, a circular structure is employ in this poem as well.\r\nâ€Å"Heart aches, lungs pant/ dry air/ sorry,scant.” appeared at the beginning of the poem, and so in the end of it. This is to emphasise the physical hurt the speaker is going through climbing the mountain, also the greatness of the mountain, since it is able to â€Å"oppress” the speaker. In overall, the structure and form of the poem helped intensify the feeling of washed-out and despair, and mostly, breathless, showing how weak and vulnerable human universe is to nature. In the meantime, this parallels to the fact that the journeys that people choose to inscribe on is often hard and full of challenges.\r\nThirdly, the resourcefulness created by Wilfred Noyce in the poem, again, pictures how challenging the speaker’s climb is. The senses auditory, taste and smell do not apply since the speaker is climbing a mountain. The resourcefulness of a long, difficult and vague journey onward is depicted by the things the speaker sees: â€Å"loose drift, enceinte fall”, â€Å"the journey ahead” and â€Å"glasses sini ster”. The imagery of close to falling/fainting is created by what the speaker feels: heart aching, lungs panting, dry air, prodding the snow, grinding breath, present wrenching, limb faltering, a slack throat and heart beating.\r\nThen, the imagery of depression and wanting to give up is created by harsh, dynamic or monosyllabic words like â€Å"grind”, â€Å"wrench”. It also creates the go bad effectApart from that, the speaker describes the feelings of his different body parts separately, one by one, as if they were separate, or falling apart. These imagery emphasise how desperate the speaker is while climbing the mountain, the same thing a lot of people feel while confronting challenges in their lives.\r\nIn conclusion, Wilfred Noyce wrote this poem to contrast the greatness of the nature and the weakness of human, as well as how people should be haunting and persevering when facing depressing challenges in life. He conveyed his message by using mainly the tone, form and structure and use of imagery in the poem. at last this is all intended to create the effect of mother fucker to the reader, and it is very effective.\r\n'