Designers, unlike artists, can’t follow their creative impulses, they E

Designers, unlike artists, cant follow their creative impulses, theywork in a commercial environment, which means there are a wide numberof considerations influencing the anatomy addressThe work of a fashion precedent is influenced by the demands of theindustry in which they work, which has both positive and negativeinfluences on the creative process. This see looks at some of thekey parameters that the fashion precedent must work within, and theeffect that these factors have on the creative process and thefinished product.One key factor that affects the work of a ornamentalist is an element overwhich the individual had a trusted degree of contain The attach to thatthey choose to work for. There is a vast spectrum of elements that go from alliance to comp any and have on a knock on effect on what isexpected of the reason from company practices, culture, values andpolicies to the prevalent perception of the company to the size andresources avail equal within a prone busi ness. Ipsuis are a smallBritish company that design and correct casual wear, and providean example of how company policy effects design. The company was setup with the aim of producing a completely fairly traded product. Inaddition to ensuring that all labourers are fairly paid, Ipsuis willonly do fairly traded fabrics which means a far more throttle excerptionfor the designer and considerably longer lead times for a unseasoned fabric.Designers in the upper end of the market, rely on their design team toproduce work that is in keeping with the image they have worked breathedto create. From a designers perspective it is beneficial to be ableto move between different companies- giving the opportunity to find abusiness that supports a designers vision.The next thing to consider after which company a designer works for istheir competition, both internal and external. Fashion design is ahighly competitive job market. Designers are often abandoned temporarycontracts and only have a short time to demo themselves before theiremployer looks elsewhere. This, coupled with a high rate of redundancy cod to the volatile nature of the market means that designers are under eternal pressure to be at the forefront of their industry. Theadvantage of working in this competitive environment is that it spursthe designer on to achieve their best and results in hi... ...osts, so that is Tesco thatbenefits from increased breads. In this scenario, the designer doesnot see any benefit from the change to the law.Ultimately, the situation highlighted above leads onto the single most meaning(a) factor that drives the fashion industry and therefore whatis expected of a designer Profit. It considered acceptable by criticsthat the work of the artist often has a limited appeal. A designerwork must have a certain amount of mass appeal in order for thegarments to sell nearly and make a profit. All the other considerationslooked at in this essay in some way tie in to the issue of prof it andthe best way in which to maximise this. This inevitably puts thedesigner under certain pressures, which to varying extents limitstheir creativity. However this is a small price to sacrifice for working ina commercial environment that gives designers a political platform to get theirideas off paper and into the shops, that allows the designer freedomto concentrate on their work whilst other business relatedconsiderations are taken dole out of by others and most importantly allowsthe designer to make a living out of the very thing they are mostpassionate about.